Announcing a hybrid game opera for Monster

I nev­er thought I would make an opera. But now I have.

A bit of Monster

In a few weeks time the above mar­ket square in the town of Mon­ster will be trans­formed into an are­na where fight­ers duel each oth­er using their pet mon­sters. If this sounds famil­iar, it is no coin­ci­dence.

Mega Mon­ster Bat­tle Are­na is one of 11 operas pro­duced by Dario Fo to cel­e­brate the fifth anniver­sary of the West­land munic­i­pal­i­ty. Dario Fo spe­cial­ize in cre­at­ing music the­atre in close col­lab­o­ra­tion with the local com­mu­ni­ty. They asked com­pos­er Daniël Ham­burg­er to cre­ate the opera for Mon­ster. The brief was to do ‘some­thing’ with the town’s curi­ous name, and to make it a pro­duc­tion that would appeal to youth by ref­er­enc­ing games cul­ture.1

Daniël in turn approached me, since he had lit­tle affin­i­ty for games, and want­ed the piece to not only be about games, but to be a game itself. So that’s what I helped do. By turn­ing the game design prin­ci­ple of embed­ded nar­ra­tive inside-out, we’ve man­aged to cre­ate a struc­ture in which we can both tell a sto­ry using a script, and have per­form­ers impro­vise using game rules. Those rules I designed as a prop­er game. I could give you those rules and you would be able to play it your­self.

So there will be fights, and they’ll not be script­ed. You won’t know before­hand who will win, and nei­ther will we. There will also be a sto­ry, about a hero­ine fac­ing off with a bad guy, in the best game and mar­tial arts film tra­di­tion. Sieger M.G. was our third man, the piece’s writer. A rap­per turned poet with a life-long games addic­tion, there could be no bet­ter fit.

What’s prob­a­bly most excit­ing to me is that on top of the impro­vi­sa­tion­al chore­og­ra­phy of the duels, a live band will use a rule set of their own, com­posed by Daniël, that takes the game as it unfolds as its input to impro­vise. How’s that for adap­tive music?2

It might all go hor­ri­bly wrong, or it might become a won­der­ful spec­ta­cle. If you are like me and would like to find out which it will be, head to Mon­ster for one of the shows. They’re sched­uled for:

  • Thurs­day 18 June 20:30 (try­out)
  • Fri­day 19 June 20:30
  • Sat­ur­day 20 June 20:30

Tick­ets are 15 Euro and can be bought at the venue. Once the show is over, I’ll post some more detailed stuff about the actu­al work I did. Stay tuned.

Mega Moster Battle Arena flyer

  1. There would be tons of kids from local high schools to work with. They also want­ed to use the local fire­men choir. Oh, and aer­i­al work plat­forms too… []
  2. One of the sources of inspi­ra­tion for Daniël was John Zorn. []

links for 2009-05-28

Stay hungry, stay foolish”

I grad­u­at­ed from the Utrecht School of the Arts in 2002. Now, less than sev­en years lat­er, I am men­tor­ing a group of five stu­dents who will be doing the same come Sep­tem­ber this year. I took a pho­to of them today, here it is:

Bright young bunch

From left to right, here’s who they are and what they’re up to:

  • Chris­ti­aan is tech lead on Hol­lan­dia, an action adven­ture game inspired by Dutch folk­lore. His research looks at ways to close the gap between cre­atives and tech­nol­o­gists in small teams, using agile tech­niques.
  • Kjell is design­ing a series of exper­i­men­tal games using voice as their only input. He’s research­ing what game mechan­ics work best with voice con­trol.
  • Max­ine is game design­er on the afore­men­tioned Hol­lan­dia game. Her research looks at the trans­la­tion of the play expe­ri­ence of phys­i­cal toys to dig­i­tal games. (In of Hol­lan­dia, you’ll be using a Wiimote to con­trol the spin­ning top used by the hero­ine.)
  • Paul is build­ing a physics-based plat­form puz­zle game for two play­ers. His research looks at the design of mean­ing­ful col­lab­o­ra­tive play.
  • Eva is mak­ing a space sim­u­la­tion game with real­is­tic physics and com­plex con­trols. She’s research­ing what kinds of fun are elicit­ed by such games.

Prac­ti­cal­ly speak­ing, men­tor­ing these guys means that I see them once a week for a 15-minute ses­sion. In this we dis­cuss the past week’s progress and their plans for the next. They’ve set their own briefs, and are expect­ed to be high­ly self-reliant. My task con­sists of mak­ing sure they stay on track and their work is rel­e­vant, both from an edu­ca­tion­al and a pro­fes­sion­al per­spec­tive. It’s chal­leng­ing work, but a lot of fun. It forces me to make explic­it the stuff I’ve picked up pro­fes­sion­al­ly. It’s also a lot about devel­op­ing a sense for where each stu­dent indi­vid­u­al­ly can improve and encour­ag­ing them to chal­lenge them­selves in those areas.

I’m look­ing for­ward to see­ing what they’ll deliv­er come Sep­tem­ber, when it’s their turn to grad­u­ate, and go out to con­quer the world.

links for 2009-05-27

  • The author expounds on the virtues of man­u­al labour, and the per­ver­si­ties of much knowl­edge work. Inter­est­ing to read w.r.t. the mak­ing ver­sus think­ing debate hap­pen­ing in design cir­cles cur­rent­ly: “The gap between the­o­ry and prac­tice stretch­es out in front of you, and this is where it gets inter­est­ing. What you need now is the kind of judg­ment that aris­es only from expe­ri­ence; hunch­es rather than rules. For me, at least, there is more real think­ing going on in the bike shop than there was in the think tank.”

links for 2009-05-25

links for 2009-05-22

links for 2009-05-20

links for 2009-05-18

links for 2009-05-15