A quick look at Tweetakt’s playful installations

Twee­t­akt is hap­pen­ing in Utrecht at the moment. It’s a youth the­atre fes­ti­val, real­ly push­ing the lim­its of what we think that means. As an exam­ple, they’ve pro­vid­ed space for sev­er­al instal­la­tions at the fes­ti­val cen­tre on the Neude. I went over for a quick look today — even though I know most of the cre­ators per­son­al­ly and am famil­iar with sev­er­al of the pieces. They’re all free and open to the pub­lic, so if you’re in the area, you should go too.

Knikker­baan

Medialab Utrecht's Knikkerbaan at Tweetakt

Made by a few prin­ci­pals at the Medi­al­ab Utrecht. Push a but­ton and a mar­ble starts rolling down a futur­is­tic look­ing track. Halfway through it enters a scan­ner of sorts, and is con­vert­ed into a vir­tu­al coun­ter­part vis­i­ble on a screen, only to emerge phys­i­cal­ly after some time again. At the end of the track, you get to keep the mar­ble.

It’s hard­ly inter­ac­tive, but does look kind of impres­sive and of course, mar­bles are always fun.

Kleurkamer

Monobanda's Kleurkamer at Tweetakt

A new ver­sion what is becom­ing a clas­sic by the trou­ble­mak­ers at Monoban­da. A beam­er, a white decor and wiimotes enable you to paint with light. It’s a sim­ple premise, the exe­cu­tion is ser­vice­able but the result is quite mag­i­cal. The addi­tion of white jack­ets for peo­ple that want to become part of the can­vas is a real nice touch.

Block­blaz­ers

Fourcelabs's Blockblazers at Tweetakt

Made by my friends at Fource­labs, this is the one that hasn’t the ben­e­fit of a spec­tac­u­lar phys­i­cal shape but is the most fun to play. It’s a com­pet­i­tive plat­form game playable with eight peo­ple at the same time with some clever social and phys­i­cal touch­es. Scor­ing points is reward­ed with a big pho­to of your­self that is shown for a few sec­onds, and the game wraps around two big screens that are back to back, forc­ing you to move around and com­pete with the oth­er play­ers for phys­i­cal floor space.

It’s nice to see this kind of stuff at a the­atre fes­ti­val. I hope the pieces will do well — despite the fact that not all of them have been placed and pre­sent­ed to the pub­lic in the best way — so that we’ll get more of this stuff in the years to come.