This is all related to one of my core aesthetic goals of the game, namely forcing consequential decisions with partial information, which I’ve always thought of as primarily occurring on the Sniper side, but it really does happen on both sides. As the Spy, you have to decide to do something (accomplish missions), and then what to do (which mission), even though you don’t really know if you’re a suspect or not. How you go about this “doing” is obviously very important, but just the act of overcoming your confirmation bias and starting at all is something you can feel when playing.2 This is one of the parts of the game that I’m most happy with, because I think this concept of embracing uncertainty and making decisions even when you’re not sure is very au courant, in that most big decisions in modern life are made with only partial information, but you still have to make them to the best of your ability.